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Dreams in Magenta (Hollyhocks), watercolour, watercolour pencils and white ink, 7.5" x 5.78 |
Blog 8
When I came to Canada, I thought my language skills as a foreign language correspondent had prepared me to converse easily in Canada. After all, I was able to translate conversations in English and Spanish sequentially, but it had all been in a classroom setting.
Once in Canada, I felt absolutely overwhelmed. I worried people thought I was uneducated when I stumbled along looking for words. Being a shy perfectionist, I always wanted my husband, Ingo, to be my personal translator. I am glad he refused, because otherwise I would have stayed dependent on him.
It wasn't a surprise that I felt isolated and homesick. As I was only a tourist without a work or residence permit, all my job applications were unsuccessful. However, Ingo found a permanent position in his field in Ottawa three months after we arrived in Canada. As a result, I spent most of my days alone with too much time to ponder my destiny.
I had always lived close to my family and friends. The only time I had moved away was for a six-month internship in southern Germany when I was just 20 years old. The distance was nothing for Canadian standards, about a two-hour drive.
During most of the internship, I felt homesick, spending a lot of time alone in my little apartment. If you have ever heard different German dialects, you will understand my difficulties in understanding the factory workers who spoke a strong Swabian accent. I didn't understand a single word. The workers were not interested in including me. They probably saw in me a spoiled young woman bridging the time before university, without any clues about hard work.
My situation improved drastically when I joined the young designers who spoke High German. I loved working with them, trying out new patterns and wool for the following year's fall collection. It was exciting to peek behind the scenes of the fashion world. The two designers were super friendly and included me in their tasks. I learned a lot about the process from idea to the final packaged wool balls and preparing designs for the new magazines. They also took me to the noisy and smelly factory. There was no hint of glamour, and I couldn't believe how people could work in these circumstances, so maybe I was a clueless and spoiled after all.
I was allowed to create a sample batch of wool. While my use of mohair and bast looked beautiful, it didn't feel as I had hoped. Even worse was the fact that the bast ripped frequently when spinning the two fibres together. Nevertheless, it was enough to knit a long, sleeveless sweater that I still wear every winter.
As I received the employees' discount in the factory wool store, I knitted one sweater after another; so many that I had to stop knitting after a few years because my closet was overflowing. I still have some wool in my studio from the internship. Maybe it's time to pack out the knitting needles again to create a sweater for my family. :)
Nevertheless, the internship and my submitted art projects didn't suffice to get me one of the rare places to study fashion design. Instead, my parents enrolled me in a language school to obtain a degree as a foreign language correspondent in English and Spanish. If I had known that I would move to Canada ten years later, I would have extended my studies to become a state-certified translator. I also would have chosen the combination of English and French, which would have opened many more doors when I looked for employment.
After graduating from language school, I started work as a foreign secretary at an American leasing company. In a few years, I moved up to head of the administration department with the power of attorney.
Teddy with Vase and Apple, oil, 36" x 24", 1988 |
Initially, I still had lots of leisure time and took correspondence art courses in a variety of mediums. Then I took oil painting classes with well-known German artist Inge Besgen. She believed in painting big and was strictly against painting from photos. After a study in blue, I painted a still life with a teddy bear, a vase, and an apple on a blanket in black and white (see above). The next task was an abstract painting with complementary colours, followed by a colour painting of the teddy bear still life. The paintings are about 36" x 24".
It felt exotic and exciting to know a famous artist and paint in her house, filled with enormous canvases and other art materials. I left my still life setup in her study and returned to my painting each week. I loved the creative atmosphere in her house and the company of the other students who all worked on their unique creations.
Unfortunately, once I started my correspondence studies in economics, I had no more time for art classes. After the written exams, I became interested in hand-sewing plush teddy bears. I took a couple of courses, and I was mesmerized. At the beginning of my time in Canada, I was at the height of teddy bear production. I created my own patterns and was happy to find fake furs and joints in art and craft stores. This hobby kept me busy for the first couple of years in Canada. I even joined the Grizzly Gang, an Ottawa teddy bear lovers' club.
Wedding Couple, 1995/1996 (centrepiece for our wedding) - The bow tie is from one of my grandfather's old ties. |
During our initial trips to Vancouver and Muskoka, I had created some sketches. Realizing I didn't have a chance to work before receiving my permanent residence status, I attended oil painting courses at the Ottawa School of Arts. Although I didn't understand everything the teacher said, I understood enough to follow her instructions and regained confidence in my painting abilities through her positive feedback. I needed the encouragement because my rusty skills left me extremely discouraged and made me doubt my talent and creativity.
Fall Still Life, 1996 |
Soon, my art became my retreat. I didn't have to worry about my limited ability to express myself fluently in English. It was the same playing field for all, and I finally found like-minded people who shared my passion for art. Talking about our art and painting together created stronger bonds than just a common language did. I used my creativity to bridge understanding and build connections in my new environment.
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Dancing Trees, acrylic, 30" x 24" |
No matter my life situations, my art has served as a safe place to be present and forget everything around me. It has helped me through many personal struggles over the past 30 years. The most challenging was the time after my fall in December 2021, which confined me to a bed and wheelchair for weeks and left me house-bound for almost half a year. My creative projects helped me during the year-long recovery, and still provide a retreat when I am frustrated about my physical health, like the painful and movement-restricting osteoarthritis flare-ups in my hips, possibly related to my pelvis fractures.
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Alex, wool, 14" x 10" |
I have been creative my whole life, using various mediums at different times to help me express my creativity. Art has given me much joy and lifted my spirits when life was tough. It created a bridge to build lasting connections. Therefore, I want to share my art and encourage others to explore their creative voice. It will enrich their lives by giving them a means to celebrate life's beauty and helping them through challenges.
Sunny Kamouraska, acrylic, 11" x 14" |
If you have fallen in love with one of my artworks and would like to bring it home to enjoy every day, please email me directly. To learn more about my upcoming workshops and courses, please visit my website for more information.