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Friday, 12 December 2025

Advent Calendar Days 6 - 12





Here is the second blog with images from this year. Most of them are watercolour paintings. My goal for this year was to finish ten artworks every month. I reached this goal during most months. It helped that I leafed through previous watercolour pads and discovered many unfinished pieces that still excited me. Finishing them felt very energizing. I started almost all of the following artworks during our weekly Painting Buddies Meetings, for which I am very grateful. We meet every week, except when I am on vacation.


While it is often challenging to meet on location due to busy schedules and unfavourable weather, everyone usually finds the time for our weekly creative collaboration. We share a virtual photo album from which we pick the reference photos. We have agreed that we all can use the images in the album for any creative purpose, which is crucial if one of us wants to exhibit and sell any of the works created during the sessions.


It is still amazing how different the results are despite us all using the same reference photos. I am glad for this uplifting group of friends.



Day 6: The Thaw, Petrie Island, watercolour, 7" x 10", unframed, 
CAN $210


I painted this image during a Painting Buddies Zoom session in February 2024. In early March of this year, I finally finished this winter scene of the ice thawing at Petrie Island. I love painting at Petrie Island, which always offers a beautiful retreat from daily responsibilities. Unfortunately, during winter, it is often too cold or wet to paint outside. 

 

The painting captures the change of seasons when winter loosens its grip, and the river breaks up. As the ice melts, it reveals the dark water with the subtle reflections of the surrounding landscape. These are the first signs of winter's end and the promise of warmer days ahead



Day 7: Red Temptation, watercolour pencils, 5.78" x 7.5", unframed, 
CAN $100 



I love the photo of the butterfly I took during my visit to the Palmengarten in Frankfurt, Germany, in April. It is another painting from our virtual meetings. I am delighted with the outcome of the blue butterfly on the bush with the red flowers. To make the wings sparkle, I used a layer of blue metallic watercolour


The warm red cluster of blooms attracts the delicate blue butterfly. The bold contrast between the butterfly’s cool, iridescent wings and the warm, inviting blossoms creates a sense of vibrancy, an invitation to pause and appreciate the beauty found in small, fleeting encounters.



Day 8: The Bay Awakens, watercolour and watercolour pencil, white ink, 6.7" x 9.4", unframed, CAN $150


On a sunny day in late April, I went to a bay of the Ottawa River, where ice still covered part of the water. However, I sat in the shade most of the time, and the wind was so strong that I got uncomfortably cold and left after only 45 minutes of painting. I finished the piece with reference photos in the warmth of the cottage. 


The Bay Awakens captures the quiet beauty of early spring as geese glide across a bay still holding onto the last remnants of winter. Pale green water reflects the soft light of early spring, while fragile sheets of melting ice drift gently towards the shore. This peaceful scene marks the subtle transition from cold to warmth — a promise of life returning to the bay.



Day 9: Spring Bouquet with Pink Tulips, watercolour, 7.5" x 11" , unframed, CAN $230


Janis Fulton provided the reference photo for this lovely bouquet. I started this painting in April 2024 and then put it aside because I worried about how to paint the delicate white blooms of the baby's breath.


When I finally went back to the painting this February, I struggled to create the impression of the delicate baby's breath against the powerful tulips and hyacinths. After I finished the painting, I cut part of the background because there was too much empty space. I love how the pink tulips, the delicate baby's breath and the purple hyacinth create a beautiful symphony of brilliant cool colours.



Day 10: Arlo, wool, wool and dog hair, 12" x 9", commission



The needle-felted painting of Arlo underwent many changes. I started the piece after picking one of the reference photos Arlo's owner provided. Unfortunately, colours often vary depending on the light, the camera and the screen settings. When I finally met Arlo two months later, I realized that his fut was much lighter. 

 

After the next grooming, Arlo's owner sent me some of his light fur and a new photo of his face, with his eyes not covered with hair. Unfortunately, it showed Arlo from a different side. However, the changed expression made him look even cuter and happier. I added a layer of his fur on top of the previous wool layers to get a perfect colour match. For a long time, I struggled with the changes to the eyes and mouth. Once I was satisfied, I sent the update to the owner, who loved it. 



We all think of certain poses of our pets that we cherish the most. When I create a pet portrait, I want to capture the pet's personality in a pose the owner cherishes. 
 


Do you want me to capture your beloved pet in wool or acrylic? Please send me a DM, and I will gladly give you more information.


Day 11: Pink Hibiscus, watercolour and watercolour pencils, 7.5" x 5.78", unframed, CAN $100


I started this painting in August 2023, using a reference photo provided by Janis Fulton. I added layers of paint to make the flower more brilliant and filled the background. Hibiscus plants bring so much joy because they continuously bloom from spring to fall, often with several flowers at the same time. The painting is a celebration of the radiant beauty of a single vibrant hibiscus bloom. The vivid hues draw the eye toward the flower’s luminous center, capturing a moment of pure botanical wonder.



Day 12:  Flaming Bloom, watercolour and watercolour pencils, 7.5" x 5.78", unframed, CAN $100


To rest my eyes from computer work, I leafed through a pad with unfinished watercolour paintings and finished this one of a wide-open poppy I love how the open red poppy glows like a flame against the deep, dark green leaves. Janis Fulton provided the reference photo for this artwork.


Have you fallen in love with any of the paintings? You can still save with my Christmas promotion. Please contact me for more information.

 
Have a wonderful  day!

Friday, 5 December 2025

Advent Calendar Days 1 - 5

 


It is time for the annual Art Advent Calendar. For the next four weeks, I will publish a summary of the paintings here. 

 

Since December 1, I have posted a new painting every day on my Facebook and Instagram pages, where the painting of the day will be on special for the day. 

 

If you like one from this blog, you can still take advantage of the Christmas promotion. 

🎄

Christmas Promotion until December 20, 2025 (midnight ET) 

 

The more paintings you buy, the more you save:

1st painting: 10%
2nd painting: 15%
3rd painting: 20%
Each painting after that: +5%

I will apply the highest rebate to the painting with the lowest price. 

These discounts also apply to gift certificates of $100 or $250 toward artwork purchases or workshop registrations.

 Please contact me at info@KerstinPeters.ca for more information.

 

This year, I have finished many watercolour paintings but didn't felt as much as in the previous year due to my travel schedule and the two felted dog portrait commissions I created. Both of them took me a long time.I strive to deliver images that capture details only the owners are likely to recognize. They make all the difference when capturing the personality of a loved pet, and not a generic dog painting.

 

Looking back, I captured flowers in the majority of my paintings, which I love as a subject because of their vibrant colours and diversity

 

While I didn't see my painting buddies in person for most of the year, my friend Janis and I painted again at the Tulip Festival, in my garden, several times at Petrie Island and Mer Bleue. As we all have busy lives, I am grateful for our weekly virtual Zoom meetings that most of our small group attends regularly.

 

I hope you enjoy my review of 24 paintings from this year. I would love to hear which one is your favourite. As always, I post them by season.

  

Day 1: Icy Creek, watercolour and white ink, 7.5" x 5.8", CAN $100, unframed

 



This painting shows Broome Creek in the Whitewater Region on a crisp winter day. There is something magical about standing beside a frozen creek on a quiet winter day. However, it would have been too cold to paint outdoors. I struggled a lot with the water and the shadows on the snow. As a final touch, I added some white ink.



Day 2: Golden Sunset in the Country, watercolour, 8.25" x 11", SOLD


I started the painting last year and finally finished this brilliant sunset in the country. Janis Fulton provided the reference photo for this peaceful scene. It is one of the paintings I sold immediately after posting it in my newsletter.

 


Day 3: Frozen Ottawa River Sunset, metallic watercolour, 8,25" x 11",  CAN $180 unframed

 


When I went through my watercolour pads, I came upon this painting and decided I didn't want to change anything. I always tell my students to set a painting aside for a few hours before making further adjustments. When painting, we become so immersed in the process that we need some time to view the artwork with fresh eyes. The painting shows the frozen Ottawa River near Petrie Island, with the sunset reflecting on the ice. My use of metallic watercolours creates a glimmering surface that is not visible in the photo of the artwork.

 
 

Day 4: End of the Season, watercolour and watercolour pencil, 6" x 12 
CAN $180, unframed

 


I almost finished this painting of the cheerful fishing huts on location at Petrie Island. However, when we packed our things to go home, I noticed that I had forgotten the details of the trees. I quickly added some colour to remind me. Back at home, I finished the painting while the memory was fresh. I added more darkness to the ice, shrubs and trees in the background.

 

Day 5: Peaceful Retreat, watercolour and metallic watercolour, 8.25" x 11", 
CAN $180 unframed




The reference photo for this Nova Scotia scene is from Hélène Martin. I used metallic watercolours when I started the painting in April 2023 to capture the glimmer of the light on the water. I learned in the process that you must be cautious when adding the metallic paint because the glitter will remain, even if you add further layers of regular watercolour paint.


Next Friday, I will post the next seven images of my Art Advent Calendar. If you want to see them daily and take advantage of the promotions, follow my Facebook or Instagram page, where I will post the images at 10 AM (ET) daily.

 

Friday, 28 November 2025

Imagining My Life in 2035

 


Blog 11



After reflecting on the past thirty years, I look forward to the journey of the next decade. I am excited to see how my life will change and become even richer. I invite you to join me in celebrating my 40 years in Canada in 2035. Let's see if the story will unfold they way I envision it today.



It is April 21, 2035.


I can hardly believe that it's now forty years since I came to Canada. I am 70 years old and have spent the majority of my years in Canada. I don't feel like 70, but my body often tells me otherwise.

I finally became a Canadian while keeping my German citizenship. Living in this beautiful country for the past forty years, I feel that half of me belongs to Canada. Sometimes, I am sad that my children and their families will hardly have any connection to my birth country. However, with people moving around in the world and not staying in their hometowns, it is a worldwide phenomenon. I will do my part to ensure younger generations remember and appreciate our roots.

When I arrived in Canada, I was very shy and not very open-minded. I enjoyed the company of many friends from different social and religious backgrounds. I loved learning about their heritage and traditions. However, I was close-minded in many areas of my life. I had never been an adventurer. I cherished my predictable routines. Moving to a new continent forced me to leave my comfort zone.

If I had stayed in Germany, I would probably have continued in an office job in the banking industry until we had kids. Daycare for children under three years was unavailable until the early 2000s. Therefore, I might have worked part-time in my father's architecture office in the mornings, picking our children up from kindergarten and school by lunchtime.

It would probably have nurtured my creative side through craft projects with our children, knitting and sewing bears in my evenings. Attending painting courses would not have happened until our kids were both in their teens.

Though I had a stable number of friends, living in a new continent forced me to establish new relationships. Today, I have friends in Canada and in Germany. I also have an extended circle of acquaintances whom I have never met in person. The development of virtual platforms has made staying in contact much easier. I am grateful for the many connections, support and inspiration.

While I had to fight a long time to find my place in the new environment, it also made me stronger and helped me grow. I learned more about myself. Whenever I struggle, I remember the obstacles I have overcome with persistence and determination.

Especially after my tragic accident in December 2021, I had to make myself and my needs a priority. All the weeks tied to a hospital bed, then a wheelchair and later a walker helped me fight for my recovery. During my approximately 18 months of rehabilitation, I realized that I didn't have time to waste.

Osteoarthritis in my hips, probably at least accelerated due to the pelvis fracture, causes occasional flare-ups so painful that I can hardly move. Luckily, with more sleep, mindful eating and physio exercises, these flare-ups don't occur too often. However, they always frighten me because I fear the limitations of what I can still achieve.

Expressing my creativity and nurturing relationships by meeting friends and family several times a week keeps my mood up. I no longer postpone trips. In recent years, I travelled to several Canadian provinces, Japan, Spain, and many German towns I wanted to visit. I still want to visit Northern Europe and India.

Luckily, I still paint with my Painting Buddies, even though some of them are already in their late eighties. When a friend and I visited my former art teacher, Inge Besken, then in her early nineties, she told us that her low energy prevented her from painting anymore. However, she still created art with markers every day. She gave us both a composition of colours and lines, which I have hanging on my door to remind me that I can still create art in old age.

There have been many changes in the past ten years. Being sandwiched between our parents and our kids had its challenges, but my strong relationships and my art have given me the strength to accept what I couldn't change and provide joy as the foundation of my happy life.

I am grateful for the many years spent sharing my art with others, inspiring them through my paintings and by teaching both children and adults. I still enjoy teaching, but don't want to commit for months ahead. Instead, I offer workshops to have a more flexible schedule. Trips and family activities have priorities. Luckily, both our children and their families live in the Ottawa region.

Thank you for being part of my creative journey. I appreciate your support, encouragement, and presence — whether in person, online, or quietly following along. I have no wish to quit my artistic journey. I still see the world through my art and capture what inspires me as often as I can. 



In December, I will publish weekly posts with the 2025 Art Advent Calendar. To see the daily post, please check out my Facebook or Instagram pages.

 

Friday, 31 October 2025

From Isolation to Connection: The Power of Collaboration


Gift for a Painting Buddy's birthday,
Robert Murrell, Janis Fulton, Kerstin Peters, 2025



Blog 10



Building Connections in a New Country

When I arrived in Canada, I realized quickly I had to get out of my comfort zone and leave the house to build connections. I could not rely on my husband, who spent most of his days at work or my family and friends in Germany, who were thousands of kilometres away. 


Joining several organizations and getting to know more people was the first step in building connections, but to grow, I needed to collaborate with others. Since I did not shy away from responsibilities, I first became the newsletter editor and the following year the president of the Orleans Newcomers Club. While I already learned a lot about Canadian customs during the hosted club events, I got even closer to the executive members while organizing the club’s activities.


Finding Comfort Through Art

Due to my shyness, collaborating on art-related activities felt less intimidating than other forms of communication, because conversations flowed more naturally while we concentrated on our projects. 


While I had met other artists during the Arteast meetings and events, many of them were already at a different stage of their lives. Nevertheless, I learned much from them, especially from my friend and mentor, Margaret Clyde. 


Canada in Leaf, Canada 150 Arteast project, 
on display at the Nepean Library Centrepointe Branch



Things changed when I met the Painting Buddies through fellow Arteast member Rebecca Dufton. I finally found a group of peers with like-minded interests. Soon after, I joined Hélène Martin and Janis Fulton as the executive of the Galerie de la Rive, where I met even more artists. The exchange of perspectives and the sharing of skills made me feel like my voice was valued. Finally, I felt a sense of belonging in my new country. 

 

Kerstin Peters, Janis Fulton, Hélène Martin


 

New Doors Opening

Stepping in for a friend at Bob MacQuarrie Complex daycare unexpectedly opened the doors to offer courses in German and art at the facility and later at François Dupuis Recreation Centre, where I have been teaching art classes for children since 2011, with the support of my fantastic supervisor, who has always been open to my ideas and suggestions.


Opportunities often came from unexpected places. When my children reached Sunday School age, I began teaching at Resurrection Lutheran Church. I not only got to know the other children, but also their parents. Years later, some of these parents asked me to offer a painting course at the church. 



Growth Through Leadership and Shared Experiences


25 Years Plein Air Ensemble Exhibition, 
vernissage March 26, 2015 with Royal Galipeau


Each step forward opened new doors. Five years after my first painting trip with the Plein Air Ensemble, Hélène and I became the co-coordinators of their spring and fall trips and the group’s successful 25th Anniversary Exhibition. We later stepped down when I began teaching German to Government of Canada employees through Graybridge, but the experience had already enriched my creative and professional path. 


Once I decided to transform my hobby into a career, I joined the Women’s Business Connection in Orleans, where I met many businesswomen and learned from their experiences. Again, I took over a position in the executive and grew closer to some of the members. The monthly meetings motivated and inspired my personal growth and business focus, leading to new collaborations. 



Yoga and Art Retreat with Jackie Leduc (second row left)



After attending a business workshop together, Jackie Leduc and I hosted a successful day retreat combining yoga and painting — a beautiful example of creative synergy.


Not every collaboration worked out as hoped. A successful partnership requires shared goals and values. However, when skills and perspectives complement one another, it is a win for everyone. 



Blending Passions and New Possibilities

 

Learn German Through Art, image from a class with Helena Guzmán

 

The COVID-19 pandemic made collaborations even more crucial. To stand out among instructors, I combined my German and art skills to create my Learn German Through Art program, which uses drawings to anchor new material and make learning more fun and easier. These combined skills led to new opportunities for workshops and demonstrations.



Levanta online magazine, featuring Kerstin Peters


More recently, I have worked with  Helena Guzmán on several projects, including creating workshops, being featured in her online magazine, Levanta, and updating my website. We share a love for art, languages, similar roots and immigration experiences. The joint projects have brought us even closer. We respect each other and support each other’s businesses. The brainstorming and realization of ideas have built trust and mutual appreciation for our work. 



The Joy of Shared Growth

Collaborations transformed my isolation into connection. Each partnership has helped me grow as an artist, teacher, and person. I love learning from each other to grow together. Every time I work with someone, I appreciate their opinions and support. My students, whether adults or children, challenge me to keep learning, exploring, and giving my best to inspire and guide them to discover their creativity.



Collaboration is a catalyst for growth. What small step can you take this week to collaborate with someone and create something new together?