On the Lookout, my Colville inspired acrylic painting showing my daughter |
Blog 23
Last week, I mentioned to you that June is a prime month for weddings and told you the story behind the portrait I did of my husband and I on our wedding day. Remembering the moment, made me think about a Canadian painter and his 70 year marriage to to his university sweetheart Rhoda. I am talking about Alex Colville whose paintings are currently installed at the national Gallery of Canada in Ottawa. This is the largest show of his work ever put together. It contains many works from private collectors. The exhibition runs until September 7, 2015.
Rhoda Wright and Alex
Colville met at Mount Allison University where they both studied art.
At first, she was not too impressed with him but then they found out
that they had much to talk about. What started out as a friendship
turned into a deep love that grew with the years they spent together.
Rhoda was not only Alex’ wife and mother of their four children,
she also was his primary model and muse.
While it is clear that
Rhoda was the model for most of his female characters, she did not
feel very comfortable about being nude in many of the paintings
according to an interview with Anne Kitz, the couple’s only
daughter. However, she could not stand the idea of other women posing
nude for her husband.
Many of his paintings
explore the relationship between women and men. Colville often
painted himself next to his wife. You get a glimpse into their
relationship but he still manages to give the viewer the feeling that
the people in the image are generic, it could be any other couple in
the Colvilles’ spot as the people often turn their back or look
away from the viewer.
Rhoda loved nature and was
an avid athlete, a fact Alex Colville documented in his paintings. He
painted her in all stages of life. You can feel the love and respect
he had for his wife. Even though her body gets old and loses shape,
she still is beautiful in his eyes and he manages to capture this in
his paintings.
The exhibition is
definitely a must-see for any art lovers, whether you are a fan of
Alex Colville or not. I do not like his painting style and except for
“Woman with Terrier” could not imagine acquiring one if his
paintings for myself but I admire his compositional skills and cannot
resist the pull of his art. Going through the exhibition, I feel like
experiencing a big love confession from Alex Colville to his wife,
giving us a view into their life and the intimacy of their
relationship over the seven decades.
However, this is only one
aspect of the exhibition. Not all the paintings show his love for his
wife and the life they share together with their animals in their
quiet neighbourhood. There are also paintings which leave you rather
uncomfortable, where the air is filled with the suspense of what has
happened or will happen, images which deal with the subject of power,
trust, and mortality. They give you a feeling of watching a Hitchcock
movie when the music gets dramatic and you know something bad is
going to happen. Your imagination goes wild, and the excitement
rises.
With his art, Alex
Colville manages successfully to show both the dark side and mystery
of life as well as its beauty and joy.
It is very interesting and
inspiring that Alex Colville considers all ordinary things important
enough as a subject for painting. I have to remember this during our
next outing when we are looking for the “perfect” spot to paint.
Often, we spend a lot of time searching for this spot. When you are
in nature, you experience an information overload. However, often
painting a simple scene has a much stronger impact than getting lost
in the big picture.
One of the appeals of Alex
Colville’s paintings is that he paints situations everyone can
recognize. I can relate to his paintings because he paints what he
loves and respects, and what captures his interest. I have been asked
a couple of times why I do not paint what the audience is looking
for, and I have always answered that I can only paint what attracts
me and what I love because every painting contains also a part of me.
I can only put energy in my paintings if they reflect my true self.
This is something I always tell me students. It is wonderful to
admire your neighbour’s art but everyone is different and that is
why everyone’s art should be different. Similarities are possible,
especially if you spent a lot of time painting together because you
definitely influence each other but if you look carefully, you will
feel the different energy depending on the painter’s personality.
Have you seen the
exhibition already? If so, what was your impression? If not, are you
planning to go? Why? Please feel free to leave a comment, either on
my blog site or on my Facebook or Google+ page.
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