Advent Calendar Days 20 - 24

 

Here is the final blog for this year. Thank you for reading my stories and the kind feedback I received on my social media pages.

If you are celebrating Christmas, I wish you a Merry Christmas! Happy Holidays to you, your family and friends. All the best for a Healthy, Happy and Creative 2026. 



I will post my first blog of 2026 on the last Friday in January. 

Day 20: Grazing Under Autumn's Glow, 9" x 12", watercolour, CAN $250, unframed

I took the picture of this challenging scene, which we painted during one of our virtual Painting Buddies meetings. It shows the field off O'Toole Road in Cumberland, where cows were grazing, undisturbed by us and the many cars passing. Janis had tried to sketch the cows on location, but they moved too much. Capturing them from a photo was enough of a challenge.

Grazing Under Autumn’s Glow captures a herd of cows bathed in warm autumn light, grazing peacefully amid a landscape rich with autumn colours.This painting celebrates the quiet harmony between animals and the glowing landscape of autumn. It invites you to enjoy a moment of calm observation.

Day 21: Last Dash of Autumn, watercolour, 7.5" x 5.75", CAN $100, unframed

 

This watercolour painting captures a scene from my neighbourhood in early November, when I was searching for and taking photos of the last vibrant hues of autumn. As most colours were already fading, these final bursts stood out even more strongly, like a joyful farewell to the season.

These bright hues bring the painting to life, reflecting my love of colour and the happiness it brings me. I cannot imagine a world in black and white, and this painting is a reminder of how colour can lift the spirit, even on the threshold of winter.

 

Day 22: A Rainbow of Leaves, gouache, 8.3" x 5.8"

 

Due to rainy weather, I changed my outdoor painting plans and painted the view from my kitchen window instead. It wasn't plein air painting, but as close as I could manage. I started with tinted mixed-media paper and used gouache to capture this scene, which I enjoyed.

 

You can check out the videos I created about this experience: 

 https://youtube.com/shorts/ tvkBWQJ3Whg 

 https://youtube.com/shorts/ Qaox10yZPO. 

 
 

Day 23: Winter Fields, watercolour, 5.5" x 8.5"

 

My friend Janis Fulton provided the reference photo of the scene that captures the quiet stillness of the winter fields in Cumberland. A soft grey sky hangs low, hinting at more snow to come as nature settles beneath an ever-deepening blanket of snow. The landscape feels tranquil and untouched — a moment of calm where you can almost hear the silence of the snow-covered world. Unfortunately, I painted the new winter scene on the back of my painting, Spring's Floral Magic. 

The spring painting shows the beautiful flowers I saw during my visit to the Trauttmansdorff Castle Gardens, a botanical garden in Meran, during my trip to Northern Italy in May 2023. It is a paradise for anyone who loves flowers and trees.

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Day 24: Hudson, wool and dog hair, 10" x 8", commission 

 

 

In October, I paused most of my needle-felted projects to work on the commission of another dog portrait. Hudson was a beloved family member who crossed the rainbow bridge earlier this year. After the client decided on the reference photos for the dog and the scenery, she saw the piece for the first time once I considered it almost complete. Usually, I receive some requests for minor changes because the owners remember a feature from their beloved pet that would not be noticeable to strangers. 

As this artwork is slightly smaller than the previous portraits I created, I had to cut Hudson's fur into smaller pieces before adding it to the top layer. It was challenging to capture the details of the eyes because of the small size of the portrait. 

When my client asked me if I could use glass eyes to make his eyes shinier and darker the way she remembered, I struggled to find a solution. Hudson looks to the side, so that the forms of the right and left eye are slightly different.



I thought of my acrylic gels and created a test eye. I applied two coats of gloss super heavy gel, followed by three coats of self-leveling gel gloss. At first, the eyes looked horrible because both gels are white and only turn clear after drying. As the final step, I painted the eyes black and added some zinc white spots for light reflection. If I had known about the wish for shiny eyes, I would have left the spots without wool, as the surface is not entirely smooth despite the gel layers. 

Even though the black eyes were shiny, I was still unsatisfied with the look of the eyes. Luckily, I was able to add a layer of wool for the upper and lower lid to achieve a more natural look. I was glad that the felting needle went through the gel layers. 

After another consultation with my client, I added a bit more wool to the tail. I also felt that the fur around the snout needed a bit more of the darker brown. 

Looking for mats and frames, I immediately decided to use a white mat and either a white or black frame to pick up the colours of the dog. My client picked the black frame. She was very pleased about the unique gift for her son and his family, which will keep a piece of Hudson forever in their lives.



I hope you enjoyed my 2025 Art Advent Calendar. Which one was your favourite piece?