Tree of Life after Gustav Klimt |
Blog 17
If you are a subscriber to my
newsletter or follow me on Facebook or Google+, you have probably
seen some of the artworks my students and I created during my
“Painting Like Famous Artists” sessions. I have taught this
programme for two years to kids from 7 - 12 years at the Bob
MacQuarrie Complex in Orleans as well as in separate adult workshops
at Wallack’s in Orleans last summer. The students have always
responded so enthusiastically, that I am offering adult sessions
this spring at François Dupuis Centre in Orleans.
Every session, I pick different
artists. At the beginning, I tried to incorporate at least one
Canadian painter. Now, I also try to have different genres as well as
one female painter among the four artists we study every session. As
many of my students are girls and women, I want to make them aware of
the fantastic female painters who often get overlooked due to the
male dominated art world.
Each series is not only fun and
educational for my students but also me. I always prepare a little
biography of the painters’ lives, find out what was important to
them and their painting process. During the preparation of my
classes, I always get some new insights. Sometimes, trying out a
different style is very uncomfortable because it differs so much from
how I work.
Often, if you try something new, it is
uncomfortable at first until you know what you are doing. You might
find out that an art style you really admired is a painting technique
you really do not enjoy at all. This happened to me with the works of
Monet. I have the highest appreciation for his works and still love
them but I really do not enjoy painting with the short brush strokes
the Impressionists used to create their art.
In my demo work, I try to stay pretty
close to the painting I am copying. However, I encourage my students
to take liberties. Ultimately, my goal is not for them to become a
copycat of the famous painter we are studying but to learn some of
the techniques they used, to appreciate the seemingly simple
artworks for their proficiency, to acknowledge the artist’s skills
independently from the student’s likes of a certain painting style
or object.
Whenever I took a workshop studying a
certain painter, I tried to implement what I enjoyed in the process
into my own painting technique. I also encourage my adult painters
who usually already have some painting experience to do the same.
If we think about the history of art,
many of the masters we cherish today were completely misunderstood
and rejected during their lifetime because the created works of art
which did not comply with the way art was produced and appreciated by
the majority of art critics and viewers. The had a new vision which
differed radically from the academic opinion.
I would like my students to have an
open mind when looking at different kinds of art. There is so much
variety. It is easy to say “I could do this,” or “A child could
paint this.” Believe me, I have had these thoughts at times, too.
However, you have to remember that you would only be copying someone
else’s ideas. It is always easier to copy but it is a challenge to
create something new and fresh.
So if you want to find out how some of
the famous artists of the past created their beautiful works of art,
the next four week session of “Painting Like Famous Artists” at François Dupuis Recreation Centre starts on May 19, 2015, from 7pm to
8:30pm. We will look at the works from Franz Marc, Lawren Harris,
William Turner, and Mary Cassatt. Trying to copy one of their
paintings might inspire your own creative juices. In the next couple
of months I will write about some artist who inspired me on my
creative journey.
To register and for more information
please go to
http://join.ottawa.ca/fac/247/spring/all/act/110/7503/
for the adult session and
http://join.ottawa.ca/fac/26/spring/all/act/565/6025/
for the kids session which starts on May 24, 2015, from 1pm to
2:30pm, at Bob MacQuarrie Recreation Complex. During the kids session
we will be studying works of Gustav Klimt, Franklin
Carmichael,Gabriele Münter, and Vincent van Gogh.
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